About on "Matsukaze (Pine Wind)" in Edo Tadami Yamada 江戸の「松風」について 山田維史 When you think of "Matsukaze," many people associate it with "Matsukaze," the 18th chapter of The Tale of Genji. It tells the story of a female diver connected to a mysterious pine tree at Suma Bay. The Noh play "Matsukaze" is also based on the same legend, telling the story of a woman's obsession with love. The graves of twin women named Matsukaze and Murasame, who died madly in love, were located on the pine trees at Suma Bay. Pine trees were often planted on beaches to shelter from the sea winds and as sand-preventing forests. There are many famous seaside pine groves throughout Japan, including Miho no Matsubara in Shizuoka City, depicted in Hiroshige's "Fifty-three Stations of the Tokaido," Kehi no Matsubara in Tsuruga City, mentioned in the Manyoshu, and Amanohashidate, home to the legend of the feather robe. While th...
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The Structure of the Logic on Castles and Prisons
The Structure of the Logic on Castles and Prisons by Tadami Yamada Introduction Tatsuhiko Shibusawa's The Life of the Marquis de Sade vividly reveals the topos that gave rise to prison literature, in which a prison is both a place of confinement and a place of reverie. [1] One could even rephrase "literature" as the arts in general, whose essence is reverie. Shakespeare has Hamlet say, "Even the confinement of a nutshell is too vast for me. Within it I can fancy myself master of an infinite universe" (Act 2, Scene 2). Or, as Charles Nodier put it: "Only in dreams can the map of the imaginable world be drawn." Although it may not be called imprisonment, the practical sense of confinement or physical hardship awakens the spirit, and an inward gaze intensifies dreams of freedom - this mechanics is, so to speak, part of the secret to the...
About C.G. Jung's Landscape Paintings
About Jung's Landscape Paintings by Tadami Yamada 「C. G. ユングの風景がをめぐって」1993年 山田維史 Psychologist Jung attended lectures by Pierre Janet in Paris from 1901 to 1902. During that time, he painted two landscapes. The work, dedicating it to "Landscape of the Seine with Clouds, for my beloved fiancé at Christmas 1902, Paris, December 1902, by C.G. Jung," was a gift to Emma Rauschenbach, whom he would marry in 1903 (Figure 1). The other painting bears two dedications. The first reads, "To my beloved mother, for Christmas 1901 and her birthday in 1902." Jung later gave the painting to his daughter, Marianne Neef, co-editor of the Swiss edition of his collected works. The following inscription indicates this. "With gratitude, from my father, to my beloved daughter Marianne. Painting by C.G. Jung, Christmas 1955." In other words, after his mother Emilie's death in 1923, the pai...