山田維史の青空日記・遊卵画廊

山田維史   「形」 2007年　紙にコラージュ                                                        Tadami Yamada   "Shape"  2007. Collage on paper  

                                                 山田維史  「イヴの卵、アダムの林檎」2017年、                                                                      キャンヴァスに油彩、混合媒体                                                Tadami Yamada  "EVE'S EGG, ADAM'S APPLE"  2017,                                                                                 Oil and Mixed Medium o...

                                   山田維史  「誕」2016年、キャンヴァスに油彩、混合媒体                                    Tadami Yamada  "Birth"  2016,  Oil and Mixed Medium on Canvas

山田維史 「ネクサス - 生命連繋」1994年、キャンヴァスに油彩 Tadami Yamada  "NEXUS - Life Connections"  1994,  Oil on Canvas  

“Edvard Munch's Plan and His Unconsciousness about ‘The Scream’” 1995      by Tadami Yamada 山田維史（論文）「ムンクの『叫び』の設計と無意識」　日本語初出『AZ』誌 No.34 1995年（新人物往来社）       In appreciating artistic beauty, it is not necessarily important to seek the expression of humanity in a work based on the artist's real life. Such a search may limit the viewer's sensibility and imagination. However, viewers will not go out of their way to view a work that does not express humanity.      Artists make a living by exposing themselves, but at the same time they know how to protect themselves and withstand any criticism with clever calculations, which is why great works are full of mystery, and why artists weave that mystery into their work, whether consciously or unconsciously.      Norwegian painter Edvard Munch (1863-1944) once said, "My art was a self-confession," and "My paintings are my diary." His works, which are drawn with rough brushstrokes a...