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The Pearl of the Sick Oyster - About paintings by Schizophrenie artists (病める貝の真珠)

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 T he Pearl of the Sick Oyster  -  About paintings by Schizophrenic artists                By Yamada Tadami 山田維史  「病める貝の真珠 - 精神分裂症患者の絵について」 日本語初出「AZ」誌31号、1994年(新人物往来社)           Introduction----Painting  the insane      Hieronymus Bosch (1450?-1516?) seems to be an indispensable figure in the theory of fantasy painting. Indeed, all of his works are bizarre, with half-human, half-beast, half-plant, half-machine creatures running wild in the sky and the earth with fervor. A mixture of sadomasochistic screams and screams and the delirious ecstasy of pleasure, jealousy, conspiracy, sexual indulgence, and other brilliantly colored swirls (Figure 1).      In his book "Paintings of the Insane," Rudolf Lemke expresses his views on Bosch's paintings as a psychopathologist. He states that in his own works, Bosch "attempts to express himself through reflective reflection by ...

A Study of the Relationship Between the Dramaturg of Mugen-Noh and Hakusan Faith

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A Study of the Relationship Between the Dramaturg of Mugen-Noh and Hakusan Faith :  The Spirit and Form of Faith、1994           By Tadami Yamada 山田維史  「夢幻能の劇構造と白山信仰との関係考」 日本語初出「AZ」誌 1994年 (新人物往来社)           The nesting structure of Mugen Noh      When discussing the theatrical structure of Mugen Noh ( 夢幻能; A Noch drama of dreams and illusions) as a theory of time and space, the double structure of space-time on the side of the bridge can be pointed out using the bridge as a clue. The uniqueness of this structure is clearer when compared to Kyogen, and it is unparalleled in the history of theater.      Noh and Kyogen are physically performed on the same stage, but in Kyogen, the world on this side of the bridge and the world on the other side are on the same horizon, and time is continuous. However, in Noh, an extremely special space-time is formed, where the other side across the bridge is ...