山田維史英語俳句：Tadami Yamada's English Haiku Poems (10)

    The setting-in of the rainy season                                                                                                                  The sound of rain across                                                                                                                                the roofs of houses


    Hopefully

    The COVID-19 disease will flow

    The rainy season enter



    Rain drops of the first day

    of the rainy season placed on

    a souvenir for the house



    The skin of bamboo fence

    shines in the rain

    Entering the rainy season



    Opening window

    all of the house,

    Persimmon young leaves



    Actress passed away,

    A evergreen magnolia

    Flower white



    Well, a turtledove

    Green leaves are flourishing

    In the mountain of the back door



    It's an occasional holiday

    Look,

    Wind is shining in May



    Oh! green of broad bean

    Let's see it side by side

    on the painting canvas



    Placed a telephone receiver,

    A drizzling rain

    The persimmon young leaves



    While leaning against

    the acacia tree

    I read the letter



    Acacia

    A thorn is shallow

    But young breasts



    The pods of peas 

    burst open

    Oh Jade!



    When stroke the old wound

    with a rose

    May goes by



    A white flower dogwood

    It is mistaken

    for the mystique white cloud 　　



    Yesterday today, the tree

    which is thicker and cannot be said

    to be young leaves



    My expressions

    also swayed in the wind

    The root-cutting-bugs



A total lunar eclipse of Super Moon

in May 26, 2021


    While waiting for that time,

    Drinking

    the first tea of the season　　



    The moon has faded

    Your image has also faded 

    Into the darkness of May



    The sky cleared up momentary

    Above my garden,  and May

    has been going away



Four Haiku on Flowery Thorns Brambles

    

    Aah! Flowery thorns brambles

    As recalling the path of love

    A memory of mine miserables　　



    Flowery thorns brambles

    On the shimmering road

    Of my shadow



    Flowery thorns brambles bloom

    On my going narrow path

    In wavering filaments of air



    Flowery thorns brambles

    A narrow path among mountains

    It's curved



    It sounds the mouth whistle

    and interrupted 

    Then it rain of May　　



    The ascending dragon

    Farewell May

    Water is blue



    Evening is coming near

    It tarted to rain, and hydrangea

    changes its color into seven



    Aah! hydrangea

    And stone pavement 

    are getting with wet with rain



    Oh! June

    Defeated the COVID-nineteen

    Carpenters go　　



    Oh! June

    I'll be vaccinated

    Tomorrow



    Who is it the sound of clogs

    that stop

    Beside in Nandin flowers



    In the darkness 

    Of the storage in June

    Plum and loquat liquor jars

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Regarding Nude Images of Japanese People Themselves （日本人の裸体画像について）

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Regarding Nude Images of Japanese People Themselves, 2006                 By Tadami Yamada 山田維史  「日本人の裸体画像について」      The other day, I was having a drink with some people and we wondered what a samurai's physique actually looked like. If they had trained in martial arts regularly, their muscles would have been firm and strong. If they had practiced swordsmanship, their shoulders and arms would have been quite developed. But what about the lower body?      There were no cars like today to get around. They used their legs almost everywhere they went. From Edo to Kyoto, Osaka, and Nagasaki. They traveled all over Japan on foot. They must have been more than just strong-legged.      My house is in what is known as the Shinsengumi village. Hijikata Toshizo's birthplace is not that far away. In the old days, it was called Ishida Village, Tama County, Bushu (now Ishida, Hino City, Tokyo). His comrade ...
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On the symbolism and iconography of egg shapes (卵形の象徴と図像について）

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On the symbolism and iconography of egg shapes,  1993            By Tadami Yamada 山田維史 （論文）「卵形の象徴と図像について」  日本語初出『AZ』1993年（新人物往来社）      As if to investigate anew what an egg, which hung before my eyes in a state that could be called a vision or a notion, was, my painting career, which I had just begun at that time, has taken on the appearance of an egg hunt ever since. In England, on Easter, children search for colorfully dyed eggs in the thickets of plants or among flowers in their gardens. Children who gather the most eggs receive a reward. My painting career is just like those children.      According to Jung, "The image of an egg depicts the outermost and the innermost, the greatest and the smallest, just like the idea of ​​the Indian atman (self) embracing the world and living in the human heart as Thumb."      My interest is solely in the relationship between eggs and the "place" from which ...
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About the Transition of Idea of the Perspective and Philosophy of the Gaze

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About the Transition of Idea of the Perspective and Philosophy of the Gaze Tadami Yamada 「遠近法の思想と視線の哲学の変遷について」　山田維史      Last year, in October 2016, the Siebold Museum in the Netherlands announced that six paintings of Japanese landscapes brought back by Siebold, which had been labeled "gifts from Hokusai" in Siebold's handwritten inscriptions, had been reexamined and confirmed to be genuine Katsushika Hokusai works.      One of the six is ​​a lithograph, and all were created after studying Western painting.      What makes this painting significant is that it is not a copy of a Western painting, but an original depiction of an Edo landscape, likely a realistic sketch. It is also painted with accurate perspective based on theoretical understanding. It is important to note that perspective only entered Japanese painting in the 19th century. Incidentally, the first oil painting in Japan is believed to have been Hiraga Gennai (1728-1780).  ...
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